News & Events


 Crime Fiction

 Short Stories

 Children's Books



 Taipei Charlie

 Sculpture Project


 Cooking with Chaz


 Site Map

Find Chaz Brenchley on Twitter

Find Chaz on Facebook Read Chaz'z blog on LiveJournal
The Garden Rotten Row Dispossession Pandaemonium House of Bells Special offer: Northern Lights ebooks from Wizard's Tower

Chaz writing at the Lit amp; Phil

Chaz Brenchley

Chaz Brenchley has been making a living as a writer since he was eighteen. He is the author of nine thrillers, most recently Shelter and two fantasy series, The Books of Outremer and Selling Water by the River. As Daniel Fox he has published a Chinese-based fantasy series, beginning with Dragon in Chains, as Ben Macallan, an urban fantasy, Desdæmona.

A British Fantasy Award winner, he has also published books for children and more than 500 short stories in various genres. His time as crimewriter-in-residence on a sculpture project in Sunderland resulted in the collection Blood Waters. His first play, A Cold Coming, was performed and then toured in 2007. He is a prizewinning ex-poet, and has been writer in residence at the University of Northumbria. He was Northern Writer of the Year 2000.

Chaz has recently married and moved from Newcastle to California, with two squabbling cats and a famous teddy bear.

News: Being Small publication date announced! Plus something new to read online - details on the News & Events page.

Below is a recent extract from Chaz'z blog:

Author's cut

As far as I remember, I have never watched any DVD extras. I've never wanted to. I don't want commentary, or bloopers, or deleted scenes. Especially, I don't want deleted scenes, any more than I want three different versions of the same movie. I want a piece of work, an act of creativity, a singular story told. That's why films have directors and editors and so forth, to make those decisions and ultimately to release the finished work.

Having said which...

Blessedly, the craze for extras hasn't really penetrated much into the book world. A couple of publishers to my knowledge have experimented with extra matter at the end of the volume, which I have dutifully disregarded; with series novels, there has been something approaching a habit of running the first chapter of the next instalment in the back of this one, which again I just ignore. I don't want to read the start of the next book until I have the next book and am sitting down to read it, thanks. Twice I have begun to read restored "author's cut" texts of favourite genre novels, where the authors or their estates have put back much of what their editors had wisely told them to cut; I wasn't able to finish either one, because they read long and draggy and wrong.

Having said which...

It is the opinion of wise people hereabouts that Mars Beneath needs to begin further in, at a different point in the narrative. They're probably right; I'm certainly prepared to go along with them for now. However, that does leave me with an orphaned chunk of text, some of which I rather like.

So, here: have a murdered darling, the deleted opening of an unfinished novel...

I did perhaps know it to be the greatest day of my young life, when Willoughby called me to his office one morning in early Aquarius. I don’t believe that this is hindsight only. Even then, at the very start of the adventure that set my course - and my planet’s course, my people’s course - for all the years to come, I think I felt the hand of history on my shoulder, bracing me.

I did need bracing. Prevously I had only ever presented myself to the old man for a carpeting. That particular day, I was aware of no particular sins. My hangover was no more egregious than my haircut; my copy was not unduly late - yet - nor my collar unduly grubby; I had a likely quantity of ink on my fingers and none too much elsewhere on my person. I hadn’t been overly attentive to his daughter recently, nor overtly offensive to his wife. So far as I could tell, my conscience was entitled to its tolerable clarity. And yet the summons had come, and so I stood outside his door and fidgeted with my necktie until the secretary put his head out to beckon me inside.

“Thank you, Mr Lawson.” Always be polite to the gatekeeper. Even a cub reporter outranks a mere secretary - at least, in my own private hierarchy he does, and I did - but Lawson could make or break a man faster than anyone else at the Arean-Messenger.

Faster than anyone except his employer, that is. Lawson’s power lay in access to the old man, granting or denying it at whim. Willoughby’s was pure, the thing itself, ownership outright. He was Editor-in-Chief by his own appointment, because he chose to be. That he was a natural for the task was mere happenstance. Lawson was self-serving, subtle, political to the core; his master was blunt and brutal, a pick-axe to Lawson’s rapier, easy with the weight of money at his back. Together, they were formidable.

I stepped into the fug - Lawson chain-smoked gaspers, we all thought as a defence against Willoughby’s cigars - and said, “You wanted to see me, sir?”

Willoughby grunted, leaking smoke at me between his teeth like an incense-burner in a back-street temple anywhere within half a mile of Marsport docks. “Sit yourself down, youngster.”

That shook me almost more than the office-boy’s original call to the sanctum sanctorum. Willoughby didn’t stand in loco parentis; he was an employer, not a patriarch. Despite my best hopes, he’d never been in the least fatherly. Sent for, one might be castigated, instructed, congratulated or cast forth; if any man ever had been summoned for any reason else, news of it had never filtered out; but in any event, one was not invited to sit in the Presence. Not ever. There wasn’t a chair supplied. Only his own, behind his own magisterial desk, and Lawson’s in the corner.

There was a chair now, set ready on the carpet. A glance to my rear showed Lawson standing, leaning against the door-jamb for want of anywhere to sit.

I perched tentatively, and waited for the cataclysm. There must surely be a cataclysm coming.

Posted on Thu, 13 Mar 2014 23:43:54 GMT

To read more, or leave a comment, visit Chaz'z blog at

Use the search box (right) to order any of Chaz'z books, or any other product, from Chaz Brenchley is a participant in the Amazon EU Associates Programme, an affiliate advertising programme designed to provide a means for sites to earn advertising fees by advertising and linking to

Cornwell Internet

Original site design © 1998 Chaz Brenchley / Squane's Journal;
site currently maintained by Jean Rogers,
and hosted by Cornwell Internet.

Site © 1998 / 2011 Chaz Brenchley & Jean Rogers; no part of this site may be reproduced without permission.

Author photograph: Chaz at the Lit & Phil © Karen Williams 2010

Last update: 10th March 2014 at 12:29pm.